Improvising Madly – the musical

May 11th, 2012 by Anna § 0 comments § permalink

Oscar Peterson and band

The Oscar Peterson Trio with Herb Ellis, guitar and Ray Brown, bass at the Concerthall in Stockholm 1957. Photographer, Bengt H. Malmqvist, Sweden (http://www.lionelhampton.nl/swedishjazzphotography.html)

Jazz, Agile workflows and Integrated Digital Strategy

Here is a link to the improvised musical version of Improvising Madly, the presentation I gave with Brian O’Leary at the recent Publisher’s Forum in Berlin. The music is ‘Take the A Train’, played by the great Duke Ellington and his band.

The presentation illustrates some of the points I made in my article, Let’s Improvise!, published in Publishing Perspectives.

Anna

 

Publishers’ Forum, Berlin, revisited

May 2nd, 2012 by Anna § 0 comments § permalink

I attended the recent Publishers’ Forum in Berlin for the first time this year.

axica interior

axica conference and convention centre, designed by Frank Gehry

I was impressed with how the presentations intelligently intersected in interesting and relevant ways. The sense at the end of the two days was of a dynamic network of intelligent content, created by people with vision and energy.

Helmut von Berg of Klopotek was an indefatigable host and organiser and was as passionate about the subject as any of the speakers. It is commitment of this sort that will lead the way.

Brian O’Leary’s keynote address ‘Context First Revisited’ was as relevant today as when he first presented it in 2010, although now the word ‘container’ is simply a term we all use when talking about books. That his terminology has become part of the currency of digital publishing demonstrates how important his insights were and still are for us all.

All the sessions I attended were worthwhile and had something to offer. (As an English speaker, the German sessions were not an option, but looked very good too.) One of the English sessions that made a particular impression on me was that by Gregor Wolf and Christian Kohl, ‘Integrating deGruyter.com e-commerce with the back office software’. This is a side of publishing that most prefer not to think about; social media for instance is so much more exciting to talk about (and yes, as important). But it is precisely this kind of work behind the scenes that is crucial to the success of digital publishing. The presentation was focused, to the point, and the system they described seemed deceptively simple: a mark of true elegance, thorough analysis and hard work.

I want to thank my co-presenters, Ingrid Goldstein, and Brian O’Leary, who are both a joy to work with. I was privileged to have had this opportunity to present with them.

This conference gave me renewed confidence in the future of ‘book’ publishing, whatever the ‘book’ may look like.

Note: This post also appears on the Forum website.

‘Fences’ breaks new ground for the web-based PressBooks™ publishing platform

April 13th, 2012 by Zirk van den Berg § 3 comments § permalink

Fences, the debut novel by popular fanfiction author Laura Bontrager, will be the first novel on the PressBooks™ platform to be serialized for online reading on a subscription basis.

Laura’s readers are used to reading her fanfiction online, with new instalments appearing regularly. We’re going to continue in the same vein, making her novel available to readers in daily instalments over the course of a month or so. » Read the rest of this entry «

Jim Thompson’s ‘The Getaway’ shows pulp fiction can be great literature

March 19th, 2012 by Zirk van den Berg § 3 comments § permalink

For much of the 20th Century, being innovative in art was a precondition for recognition, if not sufficient reason in itself. It was certainly the case in visual art. Novels, too, could not escape being judged on their novelty value.

What has come to interest me more than novelty is the possibility of doing something valuable within the canons of well-established art forms.  Can one, for instance, write a book within the constraints of pulp fiction that is also great literature? » Read the rest of this entry «

Writing as a way to collect rejection slips

March 2nd, 2012 by Zirk van den Berg § 0 comments § permalink

It has occurred to me that writing is a laborious way of collecting rejection slips. I got my first one in 1979 and publishers turning down my manuscripts still outnumber the times they have agreed to publish my work by a factor of ten or so.

Getting a rejection slip is a disappointment for any author. Here you are, pouring your soul or at least many hours into a project and some stranger says it’s not worth publishing. Feeling hurt, wronged or angry is normal.

But it would be wrong to assume that this has to be the author’s response. » Read the rest of this entry «